Rebel Voices: Monologues for Women by Women - Jacqueline Holborough, Suhayla El-Bushra, Theresa Ikoko, Sabrina Mahfouz, Rebecca Prichard, Rena Owen, Chinoyerem Odimba, Annie Caulfield, Katherine Chandler, Bryony Lavery, Somalia Seaton, Anna Reynolds, Winsome Pinnock, Deborah Bruce, Rebecca Lenkiewicz, Natasha Marshall, Naomi Wallace, Daisy King, Laura Lomas, Sandrine Uwayo, Morgan Lloyd Malcolm, Ursula Rani Sarma, Alice Birch, Sarah Daniels, Vivienne Franzmann, Lin Coghlan, Danni Brown, Shelley Silas, Katie Hims, Raina Dunne, Lucy Kirkwood, Sonya Hale, Linda Brogan, Chloë Moss, Lauren Mooney & Roisin McBrinn

Rebel Voices: Monologues for Women by Women

By Jacqueline Holborough, Suhayla El-Bushra, Theresa Ikoko, Sabrina Mahfouz, Rebecca Prichard, Rena Owen, Chinoyerem Odimba, Annie Caulfield, Katherine Chandler, Bryony Lavery, Somalia Seaton, Anna Reynolds, Winsome Pinnock, Deborah Bruce, Rebecca Lenkiewicz, Natasha Marshall, Naomi Wallace, Daisy King, Laura Lomas, Sandrine Uwayo, Morgan Lloyd Malcolm, Ursula Rani Sarma, Alice Birch, Sarah Daniels, Vivienne Franzmann, Lin Coghlan, Danni Brown, Shelley Silas, Katie Hims, Raina Dunne, Lucy Kirkwood, Sonya Hale, Linda Brogan, Chloë Moss, Lauren Mooney & Roisin McBrinn

  • Release Date: 2019-05-02
  • Genre: Performing Arts

Description

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre.

Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon.

Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works.

This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.